KRS One Net Worth – 2022


Net Worth $6 Million
Height 6 ft 3 in (1.93 m)
Profession Musician, Lyricist, Author, Master of Ceremonies, Professor, Teacher, Screenwriter, Record producer, Writer, Actor
Gender Male
Date of Birth Aug 20, 1965 (56 years old)
Nationality United States of America

KRS One Net Worth:

$6 Million

What is the Net Worth of KRS-One?

The net worth of KRS One, an American rapper, record producer, actor, and activist, is $6 million. KRS-One is a rapper who rose to fame in the 1980s as a member of the hip hop group Boogie Down Productions, which pioneered the combination of rap and reggae. He began releasing solo albums under his own name in 1993. The tracks “Sound of da Police,” “My Philosophy,” and “Love’s Gonna Getcha (Material Love)” are among KRS-most One’s popular.

Early Years

Lawrence Parker, also known as KRS-One, was born in New York City’s Brooklyn borough on August 20, 1965. His mother is from the United States and his father is from Trinidad. Parker moved into a South Bronx homeless shelter after leaving home at age 16 to pursue a career as a rapper. Under the nickname KRS-One, he became active with the street art graffiti movement there. Parker developed a DJ/MC connection with adolescent counselor Scott Sterling, with whom he co-founded the hip hop group Boogie Down Productions.

The organizations Boogie Down Productions and Stop the Violence

1986 saw the formation of the hip hop group Boogie Down Productions, which includes KRS-One, DJ Scott La Rock, and Derrick “D-Nice” Jones. 1987 marked the release of the group’s debut album, “Criminal Minded.” Scott La Rock, who was attempting to mediate a dispute between D-Nice and some local thugs, was shot and died shortly thereafter, bringing tragedy to Boogie Down Productions. 1988 marked the release of the band’s second studio album, “By Any Means Necessary,” despite this unfortunate turn of events. Following this, Boogie Down Productions produced the albums “Ghetto Music: The Blueprint of Hip Hop,” “Edutainment,” and “Live Hardcore Worldwide” with more political themes. The band’s last album, “Sex and Violence,” was released in 1992.

KRS-One earned prominence as one of the first MCs to incorporate a Jamaican style into hip hop music, utilizing the Zunguzung melody of Jamaican dance halls, through Boogie Down Productions. Boogie Down Productions was also instrumental in voicing the brutal realities of life in the South Bronx, setting the ground for the emergence of the gangsta rap genre. In the late 1980s, in reaction to the prevalence of violence in black neighborhoods, KRS-One founded the hip hop group Stop the Violence Movement. In 1989, the group issued a record titled “Self Destruction,” with all revenues going to the National Urban League. The single included some of the most prominent personalities in East Coast hip hop.

Solo Career

After the dissolution of Boogie Down Productions, KRS-One began a solo career. In 1993, his debut solo album, “Return of the Boom Bap,” was released. Two years later, he released a self-titled album that included, among others, Busta Rhymes, Fat Joe, Mad Lion, and Channel Live. Significantly successful, the album peaked at No. 19 on the Billboard 200 and No. 2 on the Top R&B/Hip-Hop Albums chart, spawning the songs “MC’s Act Like They Don’t Know” and “Rappaz R. N. Dainja.” KRS-next One’s album was 1997’s “I Got Next,” which peaked at number three on the Billboard 200 and became his best-selling solo album. In 2000, he published a compilation CD entitled “A Retrospective.” KRS-One subsequently released a number of new albums, including “The Sneak Attack,” the gospel-influenced “Spiritual Minded,” “Kristyles,” “Keep Right,” and “Life.” 2007 saw the release of his duet with Marley Marl, “Hip-Hop Lives.” “Maximum Strength,” “The BDP Album,” “Now Hear This,” and “Between Da Protests” are examples of later albums.

Throughout his career, KRS-One has collaborated with a variety of musicians, including R.E.M., Hellafactz, and Jay-Roc N’ Jakebeatz. In 2009, he appeared on a number of albums, including “Arts & Entertainment” by Masta Ace and Ed O.G. and “Born and Raised” by Cormega. Additionally, he worked with Buckshot on the CD “Survival Skills.”

Cathedral of Hip Hop

KRS-One formed the Temple of Hip Hop in the early 2000s as a “ministry, archive, school, and society” to promote hip hop culture. The group invites fans to observe Hip Hop Appreciation Week during the third week of May every year. It also encourages the invention, recording, performance, and listening to rap music with a social conscience.

Individuality and Controversy

Kris, KRS-1992-born One’s son, is an aspiring music producer and DJ who goes under the nickname Predator Prime.

KRS-One has courted considerable controversy with his statements throughout the years. During a 2004 panel discussion with The New Yorker, he angered many when he stated, “We applauded when 9/11 happened.” Contextualizing the comment in a later column, he stated that 9/11 had a greater impact on the nation’s wealthy and powerful than on the black population. KRS-One saw 9/11 as a form of justice because it signified an attack on a system that neglected and mistreated him and other black people. When he published a book titled “The Gospel of Hip Hop: The First Instrument,” which he said will become a new sacred religious scripture in 100 years, he sparked more, less intense debate.

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